The
monastery
was founded in 1397 by Saint Kirill, pupil of Saint Sergius of
Radonezh. In the early 1390s Saint Kirill with his close associate
Saint Ferapont travelled in the north of Russia until they reached
Mt. Maura near the Sheksna River. When the monks climbed to the top
of the mountain, they saw a beautiful and deserted land lying below,
with forests, lakes, and meadows. Their choice was made.
On a small hill in the
woods that bordered Lake Siverskoye Kirill and Ferapont erected a
wooden cross and dug a cave. After some time Ferapont moved on
farther north and on another lake founded a monastery that came to
bear his name. Kirill was not alone for long. Other monks soon
joined him. Thirty years after it was founded, in 1427, the cloister
was home to about 50 monks. Saint Kirill introduced strict rules in
the monastery. Anyone who complained was immediately expelled. Saint
Kirill wrote in a letter: "Anyone who refuses to obey the Father
Superior shall be expelled from the monastery, so as to hold all the
rest in fear."
In no time the
monastery gained fame across Old Russia. Supported by the Moscow
princes, it continued to grow and soon figured prominently on the
political scene. In the 15th century its Fathers Superior supported
the Moscow princes in all the turmoil of political struggle. The
monastery spread political messages far and wide, calling for an end
to enmity and strife and the creation of strong and merciful
authority. "The Prince must have pity on his people," wrote Saint
Kirill of Belozero. "Courts must be fair and judges must not take
bribes." The monastery was one of the strongholds of a religious and
moral trend popular in Russia in the late 15th century and home to
its leaders, who spoke out against excessive wealth accumulated by
some monasteries, believing this stood in the way of spiritual
fulfilment. From the monastery their ethics spread all over Old
Russia.
In the first half of
the 16th century the monastery began to be frequented by Moscow's
grand princes and tsars, who came to pray and donate money for
construction on the grounds.
In 1528 Grand Prince
Vasily III with his young wife visited the monastery to ask God and
the monks of the monastery to give them a child. The future Ivan the
Terrible was born soon after this visit. To commemorate the event
the Grand Prince built a church on the monastery grounds in honour
of the birth of John the Baptist, and years later Ivan the Terrible
himself donated a large sum of money to the cloister.
Ivan the Terrible
visited the monastery three times before he expressed the wish to
take monastic vows. His wish was fulfilled shortly before his death.
During his reign the
monastery was the site of exile for many outstanding personalities.
When the exiled nobility donated money to the cloister, an
infuriated Ivan the Terrible accused the monks of a sinful life,
avarice, drunkenness, and indulgence of the exiled noblemen.
The Kirillo-Belozersky
Monastery was one of the icon-painting centres with a tradition
founded by the talented icon painter Saint Dionisy. An intelligent
and educated spiritual leader. Saint Dionisy was also a wood carver,
writer, carpenter, blacksmith, and even enjoyed weaving baskets. In
1424 he painted a portrait of Saint Kirill of Belozero. Developed by
his pupils, the traditions of icon painting survived until 1917.
Among the monastery's icons the most revered were those of the
Mother of God. A total of 88 such icons were placed in the various
churches on the monastery grounds.
The monastery's library
was the richest such library in Russia. Its initial 17 manuscripts
once belonged to the monastery's founder. By the 17th century it
contained over two thousand manuscripts.
In the late 16th
century the Saint Kirill Monastery was a strong fortress encircled
by a stone wall one kilometre in length with eight towers and three
gates. Though it had its weak points, the fortress beat back three
attacks by Polish invaders and highway robbers who tried to capture
the monastery in 1612-1614. Though the monastery's lands were
devastated, the cloister itself survived.
In subsequent centuries
the monastery continued to enjoy the favours of Russian tsars and
play a key role in political events. For saving Tsar Alexis' (Alexey
Mikhailovich's) tutor and relative, its Father Superior was granted
the title of archimandrite, and the cloister received money to erect
new fortress walls.
It took almost 25 years
to build the new walls, 10 metres tall and 7 metres thick. Extending
for more than 1,500 metres, they enclosed an area of 6 hectares,
while the monastery with all its lands occupied some 120 hectares.
The towers reached 25 metres in height.
The monastery came to
be regarded as one of the three "great fortresses of the tsars",
along with the Trinity and Saint Sergius Monastery some 60 km north
of Moscow and the Solovets Monastery, located on the islands in the
White Sea.
The cloister's main
church, the Cathedral of the Assumption, was built in 1497 by masons
from the old Russian city of Rostov the Great. The richly decorated
interior included icons with frames, church utensils, and needlework
mostly donated to the monastery by Moscow's tsars and members of the
nobility. One of the holiest objects was the miracle-working icon of
the Mother of God Hodegetria ("she who points the way"), painted by
a Moscow craftsman before the Andrey Rublyov period and donated by
Saint Kirill of Belozero in 1397. Another revered icon was the
Assumption of the Virgin, believed to have been painted by Andrey
Rublyov (1360-1430), and the Saint Kirill of Belozero icon, painted
by Saint Dionisy.
By the early 17th
century the Kirillo-Belozersky Monastery was one of the richest in
Russia. A hamlet that appeared nearby gradually became the town of
Kirillov. The monastery began to decline in the latter part of the
century, and when Catherine the Great in the 18th century began to
strip the monasteries of all their property, it lost its wealth
overnight. Gradually its many buildings fell into ruin. In the early
20th century 1,350 of the most valuable manuscripts in the monastery
library were transferred to the library of a theological academy in
St. Petersburg.
During the fierce
antireligious campaign launched by the new atheistic authorities
after the 1917 revolution, the Kirillo-Belozersky Monastery was
closed, and its last Father Superior Anastasy executed.
Transformation of the monastery into a museum some time later saved
some buildings and many of the old church utensils, art treasures,
and the icons painted by Saint Dionisy. In recent years the
monastery has been reviving.
by Alexandra Balashova
(“Moscow today &
tomorrow”. August / 2002) |